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You just got a raise to $12.50 a week so you decide to splurge and shell out a dollar to sit in the grandstand behind home plate. You know you're in for a treat. Rube Waddell, the most exciting twirler in baseball, will be in the pitcher's box. It turns out you've wasted your money. The phenom doesn't pitch. In fact, he's not even in the stadium. You later learn that he chose to play sandlot ball with some kids he passed on his walk from the hotel to the ballpark. You're delighted the next time you go to see him and Rube takes the mound. He's a bit late so you ask the booster sitting beside you what might have been the holdup. He tells you that Rube often soaks his pitching arm in cold water before the game to take some of the speed out of it, otherwise Rube says his shoots will burn up the catcher's mitt. He is absolutely overpowering. You wonder why hitters even bother going up to the plate. "Is there anything he can't do out there?" you ask the cranks around you. A man with a red handlebar moustache says, "Ya. Rube can't throw at batters to keep them off the plate like other twirlers do. He's afraid of killing somebody. And he refuses to throw spitters. Says it ain't sanitary."

• Sales Rank: #2549968 in Books
• Published on: 2015-01-15
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .98" w x 5.98" l, 1.42 pounds
• Binding: Paperback
• 442 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Thoroughly enjoyable read!
By Mick Saunders
I don't read a lot of books (maybe one a year) but I found this one hard to put down. I enjoy sport, especially when there is a historical perspective. Rube was a man who lived life to the full, his exploits both on and off the baseball diamond make for engaging reading. I found it an easy read, the short concise chapters allowed me to pick the book up whenever I got a bit of spare time. Some of his escapades were hilarious, some sad, Rube was quite a player and quite a character.

See all 1 customer reviews...

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Roll With It is a firsthand account of the precarious lives of brass band musicians in New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. The gripping narrative follows members of the Rebirth, Soul Rebels, and Hot 8 brass bands from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.

• Sales Rank: #528140 in Books
• Published on: 2013-10-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.00" w x .50" l, 1.03 pounds
• Binding: Paperback
• 248 pages

Review
“Roll With It, which includes striking black-and-white illustrations by New Orleans artist Willie Birch, is at once celebratory and saddening: a book of personal stories and a highly researched academic work.” (Geraldine Wyckoff Offbeat)

“Fascinating. . . . The musicians' personal stories are interwoven with historical information, academic reflection, and personal experience, combining to form a highly original work that creates a vivid portrait both of this musical format and the noble but beleaguered city of New Orleans.” (Florence Wetzel All About Jazz)

“As Sakakeeny makes clear, the story of the city’s brass bands is far more complex than music alone. Beyond its entertainment value, music serves as the ‘site where competing social, political, and economic vectors intersect.’ In many ways, these vectors serve as a microcosm for the problems within the city at large.”
(Kirkus Reviews)

“A notable work in that it’s the first critical project to chronicle New Orleans’ bombastic contemporary brass-band scene, the generation of musicians that grew up with century-old hymns in one ear and hip-hop in the other; also, and importantly, it’s a keen, social-justice-minded examination of the turbulent mix of race, economics, culture and tradition in which brass band culture is located.” (Alison Fensterstock Times-Picayune)

“Sakakeeny offers detailed accounts of parades and the inner workings of the bands. The book offers a full picture of their lives and how the city’s cultural economy works on the factory end. Sakakeeny observes the way the city celebrates its culture and especially its musicians, but the book also exposes the way many of them survive on the same earnings as low-rung service industry workers. It’s an engaging look street-level look at the bands that so often are used to represent and symbolize the city.” (Will Coviello Gambit)

"Roll With It is informative on many levels, detailing song structures, jazz history, neighborhood developments, and weaving information together through anecdote and research. It also poses a bigger question: If our city has economically benefitted from selling culture as a post-Katrina resource, are musicians getting what they deserve? Roll With It explores the answer.” (Samuel Nelson Where Y'at?)

“Damn, now that’s musicology. . . . Among the book’s other accomplishments, it’s a model of how to write an academic text that can engage a real-world reader."
(Ned Sublett)

"A new essential in the post-Katrina history of New Orleans, Roll With It is, perhaps, the most astute and clear-headed assessment of how the musical essence of New Orleans is ingrained in the personal and political lives of those who live in that extraordinary city. The brass-band culture detailed lovingly here by Matt Sakakeeny is no mere entertainment to those who understand it, nor is it there as tourist-bait or as a museum piece of quaint tradition. This is New Orleans itself, arguing for itself, and using culture as language and currency. To the extent thus far possible, what has saved New Orleans–more than government fiat, or grand economic imperatives, or any hint of functional leaderships–is in the street, damn near every Sunday afternoon." (David Simon, creator of the television series The Wire and Treme)

"Matt Sakakeeny tells the story of a vibrant, living culture in prose so vivid and moving, it is matched only by the music about which he writes. His illuminating examination of the contemporary New Orleans brass band culture reveals what it means to create great art, to continually mold and revise a tradition, and to try to make a living under an often dehumanizing racial regime—a complex urban world where making music can be a matter of life and death. Roll With It not only opens our ears to the music and its urban echoes, but it opens our eyes, enabling us to finally see the people who make the second line move." (Robin Kelley, author of Thelonious Monk: The Life and Times of an American Original)

"Sakakeeny’s approach to the tensions between continuity in change in Roll With It: Brass Bands in the Streets of New Orleans, searches past academic theories, tapping many interviews and his own experiences with musicians. . . . Roll With It deserves a wide readership in the post-Katrina boom."     (Jason Berry New Orleans Magazine)

“In addition to chronicling groups including the Rebirth Brass Brand, Sakakeeny provides a revealing look at the daily lives of musicians. . . . Detailed profiles of individual musicians make for a captivating narrative, and the book is beautifully illustrated with artwork by New Orleans native Willie Birch.” (Scott Barretta Clarion-Ledger)

“Fascinating. . . . The musicians' personal stories are interwoven with historical information, academic reflection, and personal experience, combining to form a highly original work that creates a vivid portrait both of this musical format and the noble but beleaguered city of New Orleans.”  (Florence Wetzel All About Jazz)

“Roll With It adds a contemporary perspective to studies of New Orleans culture and music. What emerges from Sakakeeny’s book is a portrait of a city that, with all its challenges, still manages to support a vibrant musical culture.”  (John Paul Meyers Jazz Perspectives)

“Roll with It is an edifying, enjoyable, enlightening read and refreshing musical study. It conveys and embodies a vivaciousness, both the author’s and that of the musical people portrayed throughout the book, a movement through time and place that refuses to slow down or be diverted or silenced." (Ron Emoff American Anthropologist 2015-06-01)

“This is a volume in which rich ethnographic detail fails to obscure the broader framework of academic theory and personal concern for both the musicians and the music. Roll With It belongs on the reading lists of all those teaching ethnomusicology or ethnography in the modern world, those whose teaching engages with popular music, race, performance, tourism and economy, and those who are concerned about the relationship between their research (or the academic world in general) and the sociopolitical (and economic and racial) realities of the worlds in which we all live.” (Gregory Booth Journal of Popular Music Studies)

From the Author
"A notable work in that it's the first critical project to chronicle New Orleans' bombastic contemporary brass-band scene, the generation of musicians that grew up with century-old hymns in one ear and hip-hop in the other; also, and importantly, it's a keen, social-justice-minded examination of the turbulent mix of race, economics, culture and tradition in which brass band culture is located."--Alison Fensterstock, Times-Picayune

About the Author
Matt Sakakeeny is an ethnomusicologist and journalist, New Orleans resident and musician. An Assistant Professor of Music at Tulane University, he moved to New Orleans in 1997 to work as a co-producer of the public radio program American Routes. Sakakeeny has written for publications including The Oxford American, Mojo, and Wax Poetics. He plays guitar in the band Los Po-Boy-Citos.

Willie Birch is an international artist who lives in New Orleans, where he was born in 1942. Birch received his BA from Southern University New Orleans in 1969 and his MFA from the Maryland Institute College of Art (MICA) in 1973. He is the recipient of many awards and honors, including the State of Louisiana Governor's award and fellowships from the National Endowment for the Arts and the Guggenheim Foundation. His works are part of the permanent collections of the New Orleans Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A different perspective
By Mike McAbee
Matt Sakakeeny combines a pure love for the music and culture, with an academically trained perspective to show the joys and the challenges faced by New Orleans' contemporary brass band musicians. A must-read for anyone who loves New Orleans music, or wants a realistic look at the lives of young black men trying to break away from realities of urban life in America.

2 of 2 people found the following review helpful.
What a fascinating read!
By Brian Allan
Really enjoyed this book. Well written, it is a fascinating look at the whole lives of these proud musicians, not sparing details of how hard a life it is trying to make a go in New Orleans. Also, being a tuba player I appreciated the amount of information presented about the New Orlean's Tuba players. A must read for fans of brass bands or anyone who wants a glimpse of the struggles of poverty in New Orleans.

4 of 4 people found the following review helpful.
Roll with it, has it!
By Geordie
A well researched and well written book on an under appreciated piece of American culture, music and history. Thank you Matt Sakakeeny for this thoughtful treatise on New Orleans and it's brass bands.

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• Sales Rank: #4425966 in Books
• Published on: 2002-03
• Original language: Portuguese
• Dimensions: 10.00" h x 7.00" w x .50" l,
• Binding: Paperback
• 176 pages

Most helpful customer reviews

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Great book
By Fernanda
It is a great book to work with teenagers, the website of SBS also gives you a lot of ideas of how to work with it.

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• Published on: 2008-08-01
• Binding: Paperback

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[J791.Ebook] Free Ebook Road Rally-A Game That Takes You Places!, by Diane M. Klakulak

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A How-To Book on participating in and/or organizing a road rally. Describes what a road rally is, gives step-by-step instructions on how to solve clues, suggests tips that will save time while participating in the rally, gives basic forms to be used on organizing a rally. The book also has numerous clues that can be used to test the reader's ability or can be used in actual road rallies. Written in a light-hearted, person-to-person manner, making it easy to read and understand.

• Sales Rank: #2985330 in Books
• Brand: Brand: Morris Publishing
• Published on: 1999-10-21
• Binding: Paperback
• 86 pages

Features

• Used Book in Good Condition

About the Author
The author works for an automotive company, where she got introduced to the game of road rallies. She has participated in many road rallies, and have organized even more, specializing in rallies with a Halloween theme. She decided to write a book on road rallies when people continuous came to her for advice on how to organize a road rally. The original "helpful hints" grew to be considerable, so she decided to publish the book to help other people who would like to hold and/or participate in road rallies. With her first-hand knowlege of the game as well as time-saving tips, she hopes that everyone who participates in and/or organizes a road rally enjoys the game as much as she does.

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15 of 18 people found the following review helpful.
Book focuses on an obscure form of Road Rally
By A Customer
The book is reasonably OK but it should be pointed out that the focus of the book is not on Road Rally in general but on Gimmick rallies and more specifically puzzle style gimmick rallies and even more specifically puzzles like word scrambles that may not involve looking out of the vehicle. The large majority of Road Rallies in the US are not of this type and the book does not venture to explain that there are in fact many types of Road Rallies and that it is narrowly focused on a pretty obscure type. With so few books on Road Rallying this one does a disservice to the rally community by selling itself as "Road Rally" without qualification. I admit I bought for the book title alone and I was very disappointed.

4 of 4 people found the following review helpful.
Step-by-step Clue Hunts
By A Customer
This book is not about a traditional road rally, but more a clue hunt how-to book. Clue hunts are generally run at night (for about 3-4 hours) and end at a restaurant or hall. Diane takes you step by step through the process, including clues, tips and forms. For anyone putting on a clue hunt, this is a great reference book!

9 of 11 people found the following review helpful.
Gotta Have!
By dlickey
This is one book that you MUST HAVE, especially if you are planning a road rally of your own. It will guide you, chapter by chapter with easy to follow examples(and forms), through the planning and implementing stages of making your road rally "one to be remembered!". Diane's many years of experience in planning and organizing road rallies will make you an expert, too!

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[J840.Ebook] Download PDF The Art of Star Wars, Episode III - Revenge of the Sith, by J. W. Rinzler

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Packed with breathtaking visuals created by a team of world-class artists, The Art of Star Wars: Episode III Revenge of the Sith reveals an essential element of the climactic finale of the Star Wars film saga. For years, George Lucas’s handpicked group has labored feverishly to bring Episode III’s unforgettable creatures, exotic worlds, and mind-bending action to life. Together, they created character drawings, costume designs, droids and starships, planetary vistas, animation sketches, matte paintings, and animatics–every type of illustration imaginable.

This extraordinary volume unveils the best of their efforts: never-before-seen images–storyboards, models, production sketches, and ILM-generated art–that chronicle the fascinating journey from first draft to theater screen. Among the hundreds of brilliant pieces are images and anecdotes covering

• Darth Vader then and now–the new look of the ultimate Star Wars icon
• stunning conceptual looks at the climactic lightsaber duel between Anakin Skywalker and Obi-Wan Kenobi
• the evolution of General Grievous–the new face of evil–from initial sketches to ILM animation art
• fantastic full-color images of costumes, weapons, landscapes, and spacecraft
• intriguing insights from exclusive interviews with the artists, whose groundbreaking work brought Lucas’s ideas to life
• excerpts from Episode III’s inspirational Visual Script, created to help guide production through the film’s cutting-edge digital creations

For Star Wars fans everywhere, this treasure chest of images from the final, fateful Star Wars movie is a visual feast that promises hours of endless browsing pleasure.

• Sales Rank: #1002584 in Books
• Published on: 2005-04-02
• Released on: 2005-04-02
• Original language: English
• Number of items: 1
• Dimensions: 12.14" h x .80" w x 9.35" l,
• Binding: Hardcover
• 224 pages

Review
"The fab pics will send Star Wars bores into a foaming frenzy" Hot Stars

About the Author
Senior editor at Lucasfilm Ltd., J. W. RINZLER has overseen dozens of Star Wars books, including Mythmaking: Behind the Scenes of Attack of the Clones, The Visual Dictionary: Attack of the Clones, and The Cinema of George Lucas. Rinzler attended Parsons School of Design and New York University’s Graduate School of Arts and Science. He settled for a while in Paris, where he taught art history and cinema for many years at private and public universities. As the associate producer for a video-game developer, he wrote the scripts for a number of educational titles. Rinzler returned to the States to become managing editor of GamePro magazine and published a number of articles on the industry. He is the author of The Making of Star Wars: Episode III Revenge of the Sith. Rinzler lives in Petaluma, California.

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24 of 25 people found the following review helpful.
Great! But be warned, the script is NOT in the US version!
By litemakr
Fantastic, beautiful book. Full of gorgeous artwork and pictures. The only reason I am giving it 4 stars instead of 5 is because for some inexplicable reason, the script is NOT included in the US version. However, the complete illustrated script IS included in the UK version, which I bought from Amazon.co.uk. I can't imagine why this was done, it is a real disservice to the US market. I highly recommend getting the UK version even though it will cost a bit more than the US version.

5 of 5 people found the following review helpful.
The Force Is Strong In This Book
By Parka
[[VIDEOID:25183791]]Putting this book down is difficult after you flip through a few pages. There are hundreds of pieces of conceptual art and beautiful paintings. It is apparent right from the start that George Lucas only hire the best artists for his movie.

The art genre is science fiction. You'll see a lot of concept art on cityscape, robots, planets, costumes, creatures, architecture, props and characters relating to the Star Wars movie. This book is all about art, you won't see any movie stills.

There are two versions of the book. The one with the movie script has 272 pages. The one I'm holding has only 224 pages.

Design concepts are explained for the characters and set. There's not much text but enough. The level of detail, effort and creativity displayed by the artists is simply marveling. This genre is really a playground for artists to explore with their imagination.

For Star Wars fans, there's no reason not to get this book. For artbook lovers, especially those who like sci-fi, this book should be on your shopping list also.

(More pictures are available on my blog. Just visit my Amazon profile for the link.)

3 of 3 people found the following review helpful.
The Pick of the Star Wars Books
By neoninfusion
I own the "Art of" ... Episode I and Episode II, so the "Art of Episode III" was a must purchase for me. These three books are very classy, being the pick of the Star Wars books for those who have an interest in how the movies develop through sketches and storyboards, hence the 'art' of Star Wars. While the art-books for the first two movies focused heavily on characters, the Art of Episode III focuses particularly on the worlds created for the movie, presumably as most characters have already been seen.

I'm not interested in art, so I don't have a bias toward this type of product. I'm a Star Wars fan first and foremost. The art work is, however, of a high quality and shows diagrams, paintings, drawings and sketches of the characters, planet locations, vehicles and weapons - everything that was designed by Lucas' own art team for the movie. The book (this time) is arranged in chronological order, taking place over a period of two years where the author documented the development of the movie from preproduction to principal photography to digital shot creation. The author, Rinzler, was allowed to work with the artists and therefore had first-hand experience with Lucas and the team. Typically, the art team generate their own designs which are bounced off Lucas and then manipulated to his satisfaction. This is all documented with discussions with the artists themselves and Lucas as to why something is kept and another discarded.

Not only do you find the items that made the final cut of the movies but concepts that didn't make the big screen. I don't want to give anything away about Episode III, so an example from the 'Art of Episode II' is the exciting concept of the Sith villain. Count Dooku was the eventual villain chosen by Lucas (reportedly due to Dooku's regal manner) but the character found in some alternative Star Wars literature called Asajj Ventress (the female dark jedi with the black and white martial arts appearance who carries two curved lightsabres) has a series of sketches and paintings attributed to her. So we see Lucas doesn't omit any ideas from his designers, and uses them in various side projects. It is fascinating seeing these characters etc pop-up in various side projects.

Overall, all Star Wars fans should have the "Art of ..." books. They provide a classy addition to the bookshelf and provide hours of intriguing reading and dreaming of a galaxy far, far away.

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[Q597.Ebook] Download PDF Spectacular Spider-Man Vol. 1: The Hunger (Venom), by Paul Jenkins

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One of the most popular Spider-Man villains of all time is back and deadlier than ever. The alien Venom is on the loose attacking people seemingly at random. But what does he want and what will it take for Spider-Man to defeat him?

• Sales Rank: #367093 in Books
• Published on: 2003-12-30
• Original language: English
• Number of items: 1
• Dimensions: 10.18" h x .22" w x 6.62" l,
• Binding: Paperback
• 120 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
To my surprise a first rate Spider-Man/Venom storyline
By Lawrance Bernabo
I do not know why Marvel decided to stop producing "Peter Parker: Spider-Man" and replace it with "The Spectacular Spider-Man." After all, it is not like there is less about Spider-Man's secret identity in this or any other one of the web-heads comic book titles. Anyhow, in my Popular Culture class we have a comic book unit where students read "The Essential Spider-Man, Volume 1," which has "Amazing Fantasy" #15 and the first twenty issues and annual of "The Amazing Spider-Man." They put together a model of the defining elements that appear in most Spider-Man comic books and then pick up a current copy of "The Amazing Spider-Man," "The Spectacular Spider-Man" or "Ultimate Spider-Man" to see how that issue stacks up against their model. Usually their are some significant differences between now Peter Parker is married and has a real job as opposed to being a teenage science nerd. But their biggest complaint is that most of the issues they pick up today are always only one part of a continuing story. That makes it rather hard to pick up a single issue and get hooked, which is why Marvel has rectified that particular problem by having trade paperback collections of specific story lines.

"The Spectacular Spider-Man, Volume 1: The Hunger" has the first five issues of the comic and a confrontation between Spider-Man and Venom put together by Paul Jenkins (writer), Humberto Ramos (penciler) and Wayne Faucher (Inker). A series of assaults in New York City have left behind victims who are seemingly unconnected in a strange coma: each victim has been drained of their adrenaline and the only clue is a set of small puncture wounds just above the kidneys. While the cops are investigating Peter is feeling guilty over Flash Thompson's condition (the Green Goblin put Flash in a runaway truck and he ended up with severe brain damage). While on patrol Spider-Man runs into the twisted form of the half-human, half-alien symbiote known as Venom. Of course, Venom is responsible to for those attacks. However, the twist in this particular story is that Venom is no longer linked to Eddie Brock and the suit is looking for a new host.

Venom was never one of my favorite Spider-Man villains, especially the more he kept coming back. But "The Hunger" ends up being the best Venom story I can recall reading because it offers an interesting reinterpretation of the relationship between the suit and Eddie, which involves Spider-Man as well. This is not as earthshaking as finding out the Swamp Thing is really an elemental force of nature rather than a guy caught in between an explosion and a serum, but it does turn Eddie Brock into a tragic character as we find out why he hates Spider-Man and what the symbiote really wants as well. More importantly, in the end it puts Spider-Man in the position of having to make another one of those damned-if-you-do-damned-if-you-don't decisions that is a core part of the Spider-Man mythos that is aptly captured by Spider-Man's final thought in the story.

Ramos is a most distinctive artist whether drawing his elongated Spider-Man or Peter and his friends, and while it might strike some readers as too cartoonish, but it does work and the atmospheric coloring provided by Studio F gives it additional depth. We also have a nice guest appearance by the Fantastic Four in this storyline and seeing Ramos drawn that particular quartet is a nice little visual treat as well. But it is the story of "The Hunger" that is the strength.. There is no reason to expect that this will lead to better Venom stories down the road, but since I was actually interested in how this one played out for once, that is a pretty good recommendation right there.

3 of 3 people found the following review helpful.
Venom's Back
By Steven R. Mann
Finally a good Venom story. Here's some pros and cons...

PROS:

1. Eddie Brock is now more sympathetic; we see why he REALLY hates Spider-Man now, and it makes more sense.

2. If you knew nothing about Venom before this story, you wouldn't be lost. Everything is fleshed out well and I can almost say that this is Venom's "Killing Joke" story - definitive.

CONS:

1. Ya know.. the art is cool and all, but does Venom HAVE to be so huge? Ramos once drew a picture of Spidey and Venom fighting for a WIZARD magazine special and Venom looked right. Here... I dunno.

2. *SPOILER* The whole "A child grows within me" thing seemed pointless to me. It came out of nowhere. I guess that adds to the whole reason for its need for survival, but c'mon, Venom has had like 6 kids by this point. We have yet to see this new offspring and hopefully we won't anytime soon.

Thanks for reading... Hope I was of some help.

0 of 0 people found the following review helpful.
Five Stars
By DoreenH
this was purchased for one of my sons who loves spiderman

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The most comprehensive collection of papers in the field to date, this volume presents state-of-the-art research and commentary from more than fifty of the world's leading ethnobiologists. Covering a wide range of ecosystems and world regions, the papers center on global change and the relationships among traditional knowledge, biological diversity, and cultural diversity.

Specific themes include the acquisition, persistence, and loss of traditional ecological knowledge; intellectual property rights and benefits sharing; ethnobiological classification; medical ethnobotany; ethnoentomology; ethnobiology and natural resource management; homegardens; and agriculture and traditional knowledge.

The volume will be of interest to scholars in anthropology, ecology, and related fields and also to professionals in conservation and indigenous rights organizations.

• Sales Rank: #1936820 in Books
• Brand: Brand: University of Georgia Press
• Published on: 2002-01-25
• Released on: 2002-01-25
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.65" w x 6.12" l, 2.22 pounds
• Binding: Paperback
• 736 pages

Features

• Used Book in Good Condition

About the Author
John R. Stepp teaches in the Anthropology Department at the University of Georgia and is a research associate in the university's Laboratories of Ethnobiology. Stepp is also founding editor of the "Journal of Ecological Anthropology." Felice Wyndham is working on her Ph.D. in anthropology at the University of Georgia. Rebecca K. Zarger conducts ethnobiological research in Belize and is currently coeditor of the "Journal of Ecological Anthropology."

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One of the most influential designers of this century draws from a wide range of cultural and historical sources to create images that are provocative, emotional, sometimes shocking, and always beautiful. This new book chronicles nine of her most dynamic stage and screen productions from the past fifteen years, including: Bram Stoker's Dracula, directed by Francis Ford Coppola, M. Butterfly, starring Anthony Hopkins, Richard Wagner's Ring of the Nibelung, and The Cell, starring Jennifer Lopez.

In the accompanying text, Eiko takes us into her creative process and the harmonies and discords of her fascinating, explosive collaborations with such artists as Paul Schrader, David Copperfield, and Philip Glass, among many others. In counterpoint, Francis Ford Coppola shares his personal experience of a unique creative collaboration.

• Sales Rank: #1912105 in Books
• Published on: 2000-10-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 13.72" h x 1.43" w x 12.02" l,
• Binding: Hardcover
• 224 pages

From Booklist
All too often, the talent behind wondrous sets and costumes, in advertising and in films, goes unrecognized, although rewards flourish in such high-visibility contests as the Grammies, the Oscars, and the Tonys. Ishioka, well known in her native Japan, will achieve more international fame with the publication of her second book (the first being Eiko by Eiko , 1983). She dissects the beginnings and realizations of her art in nine forms, ranging from a four-night-only performance of a Japanese opera to her millennial movie, The Cell . Hallmarks soon become apparent: literal visual metaphors (the anatomical diagram of an arm for David Copperfield's Broadway magic show); minimalism, as in Hwang's M. But terfly; and a sinuosity cloaking bodies in The Cell and The Ring of the Nibelung . Color photographs do much of the talking--and more than adequately pay homage to Eiko's art. Barbara Jacobs
Copyright © American Library Association. All rights reserved

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0 of 0 people found the following review helpful.
Five Stars
By terry
very comprehensive and exciting overview of this dynamic designer.

36 of 36 people found the following review helpful.
Every page I turned made me gasp in awe. Phew!
By A Customer
Let me say at once: this is the most incredible, most beautiful book I own. And I've collected quality illustrated books for years. It stands between Avedon's "Observations" and Damien Hirst's "I want to be with everybody blah blah..." on my (reinforced) bookshelf--and right now it tops either of them in its artistry, design, and sheer beauty.
I'm getting carried away. So... this is a breathtaking journey through 10 of the projects that this artist/ costume designer/ set designer has undertaken in the last fifteen years--in sketches, photographs, and her own narrative--from creating the look of Paul Schrader's Mishima, to dressing Jennifer Lopez in The Cell. Between times, she has lent her incredible vision to theatre, film, opera, and installation art.
I think she's been so successful because she's never compromised her vision. It inspires me (as an artist) to not give in. Eiko Ishioka won an Oscar for her costumes for Dracula. No doubt she'll be nominated again for her work on The Cell. According to the flap text, she has also won a Grammy, and a Cannes Film Festival Award. I expect to see her win an award also for this book--It's as good as any of her big-name, big-budget projects. Good for her!

3 of 3 people found the following review helpful.
Kind of mind-blowing
By Doc Occula
I cannot recommend this book highly enough for artists, costumers, filmmakers, theatre designers and directors and set designers as a valuable asset to your research library. Eiko is one of the most visionary designers of our time and this book is replete with extraordinary photos of her extraordinary work, as well as interesting information and interviews about how she achieves it. I use this book all the time when I teach design because the photos are marvelously detailed and complete. When you have close-ups that are close enough to count threads in a garment, it's worth using that photo. Her work is inspiring and I have shown many directors, who were unfamiliar with anything she'd done other than the costumes for 'Dracula', a different way to approach their visual techniques by showing them this book. A real find!

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Many engraving books on the market illustrate the forms and appearance of finished designs but fail to provide adequate instructions for actual engraving. In sharp contrast, this comprehensive and practical manual by two educators and master craftsmen teaches every step of the engraving process.
Clear, step-by-step instructions, accompanied by scores of illustrations, tell how to cut initials and inscriptions using a variety of alphabets, including script, ribbon, vertical script, and Roman letters as well as block and Old English. You'll also learn how to design and cut initials in monograms, what forms to use for properly decorating and embellishing engraved work, and how to correctly shape and maintain tools, particularly square script gravers — a tool basic to many different kinds of engraving. A glossary of terms and extensive, helpful question-and-answer section round out this immensely beneficial guide.
While practicing artisans will find many useful suggestions for improving their professional work, beginners will especially consider The Jewelry Engravers Manual a valuable tool for mastering the art of engraving.

• Sales Rank: #201862 in Books
• Published on: 1994-06-22
• Released on: 1994-06-22
• Original language: English
• Number of items: 1
• Dimensions: 8.47" h x .45" w x 5.44" l, .49 pounds
• Binding: Paperback
• 160 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Format is an older type text easy to understand
By Mike s.
A very comprehensive book of instructions for engraving . Very impressed. Format is an older type text easy to understand. And lots of illustration. This book is a must.!! I highly recommend it.. !!! Jewelry Engragraving.

0 of 0 people found the following review helpful.
Oh well,
By Amazon Customer
Not what I expected! I'll keep it anyway!

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
was what it said

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• Original language: French
• Dimensions: 7.48" h x 1.38" w x 9.45" l,
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