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Poetry Slam: The Competitive Art of Performance Poetry documents the first ten years of this cultural phenomenon with details on slam history and rules, hosting your own slam, winning strategies, tips for memorization, crafting group pieces, and other informative essays, as well as 100 of the best slam-winning poems ever.
- Sales Rank: #1073274 in eBooks
- Published on: 2012-11-25
- Released on: 2012-11-25
- Format: Kindle eBook
From Library Journal
"Poems ask only that they be heard, which is the purpose of the slam," Bob Holman says. It has been ten years since Glazner produced the first National Poetry Slam (perhaps best described as a competitive reading), but many poetry enthusiasts remain virtually unaware of the phenomenon. This volume collects an assortment of slam poems and articles about the slams (setting up, judging, becoming participants, and group pieces). Some articles, such as Lisa Martinovic on using props or Daniel S. Solis on slam aesthetics and strategy, are elemental but extremely useful, while Patricia Smith's brilliant piece on persona poetry adds little to the concept of the slam. Adding to the confusion is the growth of the audience for slams and the broadening of their scope to include many poets published by the academy. Are these the same poets whose poems work perfectly well on the page and would not readily be labeled "performance" poetry? Contributors' notes would have been useful. "Good slamming starts with good writing," Solis states, although at times the material here seems closer to stand-up comedy. It's not perfect, but, considering how sparse slam literature is, this book should prove an asset to all poetry collections.DRochelle Ratner, formerly with "Soho Weekly News," New York
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
12 of 13 people found the following review helpful.
A good breaking-in for first time readers
By Scott Woods
One of the most accesible books around for anyone even remotely interested in poetry. If you've never been to an open mic or a slam, give this one a whirl...it'll make you want to go (and maybe even slip a poem in your pocket before you lock the door). If you've been to an open mic and wondered what else was out there that was like what you just saw, this book captures a great many of those elements for you.
Not just a book of poems, throughout the work are placed a great many essays written by long-time, well-known National slam poets (Taylor Mali, Danny Solis, etc.) about nearly every aspect of reading and performing one's work...a long-overdue codification of information for performing poets at ANY level.
Some of the poems contained within are national favorites, a few legend, but they ALL contain a lesson about performance poetry: that it starts on the page.
A MUST have for any poet who is (or is considering) performing their poetry before audiences in any capacity. A necessary bit of packing for any poet with national aspirations of slamming, touring or just reading.
6 of 7 people found the following review helpful.
Better than Good
By Gabrielle Bouliane
Gary Glazner has accomplished something unprecedented with this collection -- he has produced the first national-level anthology archiving the Poetry Slam as its own form, in a book by, for, and about the participants. As such, it has many of the aspects of Slam itself. The voices in both the poetry and the accompanying essays are diverse and passionate, representing all ages, races, genders and geography that this Poetry Nation has to offer. For anyone interested in learning more or starting their own Poetry Slam, this is a terrific jumpstart, as well as a great collection of favorites for poets and audience members.
5 of 6 people found the following review helpful.
Solid collection lacking a full historical perspective
By Guy L. Gonzalez
3.5 stars, really. This anthology is a solid collection representing a wide range of voices STILL involved in the National Poetry Slam scene. Unfortunately, many voices are left out precisely because they are no longer involved in the scene which weakens the collection's importance as an historical document. Nevertheless, the poetry selected, along with the mixed bag of essays, makes this an invaluable supplement to ALOUD, still the king of "poetry slam" anthologies.
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